banjos

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Banjo

ARIA 911C

Aria 911c 5-string banjo

The Aria 911C was designed for the professional banjoist. It was deluxe quality with adjustable truss rod, slim maple finished neck and matching headstock with inlaid pearloid design. The machine-heads were chrome plated planetary geared units. The rosewood fingerboard had 10 inlaid metal position markers in a bow-tie design. It had a chrome plated arm rest and elaborate scrollwork etched into the design on the back. The shell was chrome-plated die-cast zinc, with 24 chrome plated brackets and tailpiece. The bridge had an ebony insert.

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ARIA 921C

Aria 921C 5-string banjo

The Aria 921C was a good quality 5-string banjo made in the early 1970s. It had chrome plated standard friction pegs, rosewood finished neck and headstock with matchin resonator. The fingerboard was rosewood with 9 inlaid position markers. The aluminum shell was chrome plated with 24 chrome-plated brackets. It had a specially designed sound chamber, 11 inch diameter plastic head with 14 inch resonator. A deluxe plush lined hard-shell case was also included when new.

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ARIA SB4720

Aria SB4720 5-string banjo

Introduced in the early 1970s the Aria SB4720 was Aria's standard 5-string banjo model. The neck and resonator were finished in red mahogany. It had an adjustable truss rod, rosewood fingerboard, open style vertical machine-heads with white plastic buttons. The shell was aluminum with chrome plated brackets and tailpiece. The diameter of the plastic head was 11 inches and with a 13 inch resonator. This model had a mahogany armrest.

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ARIA SB4710

Aria SB4710 tenor banjo

Introduced in the early 1970s the Aria SB4710 was Aria's standard tenor banjo model. The neck and resonator were finished in red mahogany. It had an adjustable truss rod, rosewood fingerboard, open style vertical machine-heads with white plastic buttons. The shell was aluminum with chrome plated brackets and tailpiece. The diameter of the plastic head was 11 inches with a 13 inch resonator.

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John Hornby Skewes (JHS)

JOHN HORNBY SKEWES & Company Limited is a UK musical instrument distributor. It was founded in the 1960s by John Hornby Skewes in Garforth, Leeds, England. Skewes had learned the musical instrument distribution business as a sales rep with Hohner, and British guitar company Fenton-Weill. As the business began to take off Skewes aquired various local storage premises including the old Garforth cinema and car park, the old Victorian Police Station and two Methodist chapels.

JHS was one of the first companies to appreciate the profitability of manufacturing in the Far East. Imported merchandise forms the bulk of the JHS catalogue, with the Far East and the USA playing a prominent role in providing JHS with instruments.

BRUNO (& SONS)

An instrument importer and dealer, Charles Bruno immigrated from Germany to Macon, Georgia in 1832. In 1834, Bruno moved to New York where he probably worked as a clerk or salesman for several years before being listed as a book seller in 1837. In 1838 Bruno formed a partnership with Christian F. Martin. His book shop on Fulton Street most likely served as a retail outlet for Martin's guitars. When Bruno & Martin dissolved their partnership in 1839, Bruno left New York for several years.

On his return to New York Bruno established the partnership Bruno & Cargill from 1851 to 1853, and then Bruno, Weissenborn and Company with Herman W. Weissenborn (this was not  the designer of the Weissenborn lap steel guitar - that was Hermann C. Weissenborn) 1854 to 1857.

Castilla

There was a full range of Castilla classical, acoustic, electric and bass guitars as well as banjos and mandolins. The Castilla Kopy Kat series were straightforward copies of the popular Fender and Gibson electric guitar models.

Castilla guitars were made in Asia (probably Japan) in the mid 1970s for the New York wholesaler C. Bruno & Sons, which in turn was owned by the Kaman Corporation.

JEDSON

JEDSON was a brand of John E. Dallas and Sons of London. In the 1920s, Dallas instruments were being mass produced under this brand name which derives from Dallas' initials, "J.E.D", and "Sons". The brand was still being used in the early 1970s, a few years after the Dallas Musical subsiduary had merged with Arbiter Electronics to form Dallas Arbiter.

The late 1960s and early 1970s Jedson guitars were Japanese made. Manufacture of the Jedson instruments stopped around 1975.

Link: Jedson Information site.

Orion

Orion was a stringed instrument brand distributed by Vega Music International, Brea, California and by Galaxy Trading Corporation of Sante Fe Springs, California. There was a full range of Orion electric, acoustic and bass guitars as well as folk intruments. These instruments were imported into the USA, most likely from Japan or Korea.

Source: Orion catalog 1982

JACOBACCI

The Jacobacci brand was founded in the Parisien district of Menilmontant during 1920s by Vincent Jacobacci. Jacobacci was an Italian immigrant from Catania, who began by making banjos and  guitars. Vincent's son Roger Jacobacci, decided in the early fifties to start making  electric guitars, initially by adding pickups to the existing Jacobacci acoustic guitars.

Jacobacci built guitars for the Major Conn Paris store following an agreement in 1956, and these guitars have the brand name Major. Major models included the Royal, the Soloist and the Super Deluxe. Other models included the semi-hollow bodied Texas and the solid bodied Ohio. Some famous French rock and roll bands (like Johnny Hallyday, the Pirates and the Vatours) played the Texas and Ohio models, increasing the desirability of Jacobacci guitars with the French public.

ROSE MORRIS

In 1919 Stanley, Leslie and Charles Rose formed a partnership which they called Rose Brothers at 16 Rosoman Street,Clerkenwell London's. They later joined with Alfred Victor Morris to form the Rose, Morris & Company. Initially dealing in toys and trinkets especially harmonicas. Their range of merchandise continued grow covering the entire 'small goods' field as well as some smaller instruments.

In 1932 Rose, Morris & Co aquired John Grey and Sons Ltd along with their small instrument factory. Rose, Morris & Co started small scale manufacture of uke-banjos and banjos. Small numbers of guitars was produced later - large bodied acoustic models with the name 'Kruna'. These were sprayed in the Gramophone shop downstairs. Soon, more space was needed for the activities of the warehouse, and they established a new factory.

HARPTONE

The Harptone Manufacturing Corporation was founded in 1893 in the USA, as a maker of musical instrument cases and accessories. In 1924, Harptone began the production and distribution of guitars, banjos, mandolins and tiples and continued until 1942. During the war years though, all musical instrument making was discontinued and production diverted to the war effort.

In 1966 after exstensive market research Harptone decided to resume guitar manufacturing. They aimed to produce professional grade American made guitars at attractive prices. They  produced Acoustic and semi hollow bodied guitars and bases until 1975 under Luthier Sam Koontz.

STENTOR MUSIC

Stentor is a distributer of orchestral stringed instruments, sold under their Stentor Brand. They also distribute guitars and other stringed instruments under the Ozark brand, a full range of musical instrument  accessories and own the Touchstone Tonewoods business.

The Stentor logo - a shouting Trojan - depicts the Trojan Stentor reknowned for his loud voice. From Homer's Illiad:

[His] voice was as powerful as fifty voices of other men.

He died after his defeat by Hermes in a shouting contest.

 

Barnes and Mullins

Barnes & Mullins are a UK musical instrument distributor. Established in Bournemouth, UK in 1894 by Albert Mullins and S. Bowley Barnes first as a musical instrument journal specialising in banjos, they soon began making banjos and importing other instruments.

Original Barnes and Mullins banjos are well regarded. 1914  Albert Mullins drowned when the ‘Empress of Ireland’ sank on the St Lawrence River. Mr Barnes continued the business thereafter moving it to Rathbone Place, London.The business remained in the Barnes family until a management buy-out in 2009 by Bruce Perrin and  Brian Cleary

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